Film plus Kritik - Online-Magazin für Film & Kino

entnommen der Sight & Sound – Liste von 2002:

Michael Mann (Collateral, Heat, Miami Vice) stimmte für:

  1. Apocalypse Now (Coppola)
  2. Battleship Potemkin (Eisenstein)
  3. Citizen Kane (Welles)
  4. Dr. Strangelove (Kubrick)
  5. Faust (Murnau)
  6. Last Year at Marienbad (Resnais)
  7. My Darling Clementine (Ford)
  8. The Passion of Joan of Arc (Dreyer)
  9. Raging Bull (Scorsese)
  10. The Wild Bunch (Peckinpah)

Sein Kommentar:

„Apocalypse Now (Coppola)
Coppola made the ephemeral dynamics of the mass psyche’s celebratory nihilism, its self-destructive urges and transience, concrete and operatic. A fabulous picture.
Battleship Potemkin (Eisenstein)
Eisenstein invented not just film form, but a dialectical theory of the construction of cinematic narrative. He laid the theoretical foundation in 1924 and embodied it in cinema’s greatest classic. Its influence in British, Weimar and American cinema is extraordinary.
Citizen Kane (Welles)
A watershed that perceives and expresses content in a grand way, never done before.
Dr. Strangelove (Kubrick)
The whole picture is a…

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